BARBARA BOLT

publications

»artistic publications

»recorded exhibitions

»group exhibitions

»edited books

»chapters in books

»refereed journal articles

ARTISTIC PUBLICATIONS

Bolt, B., (2015) Passing By, Red Gallery of Contemporary Art Space, Melbourne.
Bolt, B., (2014) Two Drawings, Red Gallery of Contemporary Art Space, Melbourne.
Bolt, B., (2012) Streetwise,  (ISBN 978-0-646-58045-6)  Catherine Asquith Gallery, Melbourne.
Bolt, B., (2009) Neon, (ISBN 978-0-646-51623-3), Catherine Asquith Gallery, Melbourne.
Bolt, B., (2007) All that is solid melts into air,  McCulloch Gallery, Melbourne. Catalogue for the exhibition All that is solid melts into air, Melbourne. (ISBN 978-0-646-47776-3)
Bolt, B., (2004) Art Beyond Representation, fortyfivedownstairs, Melbourne.
Bolt, B., (2002) The Techno-sublime, Noosa Regional Gallery.
Bolt, B., (1997) Shedding Light, New Collectables, Fremantle.
Bolt, B., (1995) Cleavage, The Door Gallery, Fremantle.
Excessive Practice - Portraiture as Performance, collaborative exhibition at Fremantle Arts Centre, the Longitudinal Project funded by the Arts Council of Australia.  
Bolt, B., (1994) On Reflections, New Collectables Gallery, Fremantle.
Bolt, B., (1993) Rumplestiltskin, Fremantle Arts Centre, Fremantle.

Recorded Exhibitions

http://www.bbc.co.uk/worldservice/programmes/090224_vfh_film_aus.shtml Bolt, B. (2008) Neon Blue, DVD, BBC World Service and Slade School of Art, UCL. http://www.ucl.ac.uk/theviewfromhere/

 

Group Exhibitions

Bolt, B. (2015) in Maintain the Rage, Art and Politics, Red Gallery, curator Jenny Port and Jeannie Mueller.
Bolt, B. (2014) )in NotFair, curated satellite exhibition associated with the 2014 Art Fair, curator Ashley Crawford, Melbourne.
Bolt, B. (2010) Out of the Darkness, Lawrence Wilson Art Gallery, UWA, Perth.
Bolt, B. (1999– 2000) in Technics Touring Exhibition, Regional Western Australia
Bolt, B. (1998) Technics, Craftswest Gallery, Festival of Perth Exhibition.
Bolt, B. (2003) Paper Matters, Lawrence Wilson Art Gallery, UWA, Perth.
Women’s Work: Aspects of Female Art Practice in Twentieth Century Australia, Lawrence Wilson Art Gallery, 2003
Bolt, B. (2003) Women’s Work: Aspects of Female Art Practice in Twentieth Century Australia, Lawrence Wilson Art Gallery, 2003
Bolt, B. (2003) Pixels and Paint, University of Sunshine Coast Art Gallery..
Bolt, B. (2002) Ordering the Body, Lawrence Wilson Art Gallery, Perth.
Bolt, B. (2001) Finalist, Warrnambool Environmental Art Prize, Warrnambool Regional Gallery, Warrnambool
Bolt, B. (1996) Finalist, Portia Geach Portrait Prize, SH Ervin Gallery Sydney
Bolt, B. (1996) Out of the Frame, Tin Sheds Gallery, Sydney
Bolt, B. (1995) Finalist, Portia Geach Portrait Prize, SH Ervin Gallery Sydney
Bolt, B. (1995) Women and the Law, Lawrence Wilson Gallery 1995 Festival of Perth
Bolt, B. (1995) Practice/Theory as Situated Knowledge, Exhibition/Forum, New Collectables Gallery, Perth
Bolt, B. (1994) Finalist, Mark Howlett Drawing Prize
Bolt, B. (1991) Finalist, Portia Geach Portrait Prize
Bolt, B. (1991) Finalist, Alice Prize

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Edited Books

Barrett, E. and Bolt, B. (2014) Material Inventions: Applying Creative Arts Research, London: I.B.Tauris.
Barrett, E. and Bolt, B. (2013) Carnal Knowledge: Towards a “New Materialism” through the Arts, I.B.Tauris, London.
Barrett, E and Bolt B. (2007) Practice as Research: Approaches to Creative Arts Enquiry, London: I.B.Tauris.
Bolt, B, Coleman, F, Jones, G and Woodward, A. (2007) Sensorium: Aesthetics, Art, Life, Cambridge Scholars Press.

Chapters in Books

Bolt, B. (2015, in press) ‘When aesthetic judgment meets ethical judgment,’ Ethics for Visual Research: Theory, Methodology and Practice, Australia: Palgrave Macmillan.
Bolt, B (2015 in Press) Couch grass: Ethics of the Rhizome’, A Feminist Companion to the Posthumanities, New York: Springer
Bolt, B. (2014) Lo Tecnosublime, Tekno-Kultura entres dos siglos: Tecnociencia, Arte Y Política, Madrid: Cartarata: 31-40.
Bolt, B., MacNeil, K. and  Ednie Brown, P (2014) ‘Creative Practice, Research Ethics and the Doctoral Thesis,’ Doctoral Writing in the Creative and Performing Arts: the researcher/practitioner nexus, UK: Libri: 79 – 97. (34%)
Bolt, B. (2014) ‘Beyond Solipsism in Artistic Research: The Art Work and The Work of Art,’ Material Inventions: Applying Creative Arts Research, London: I.B.Tauris.
Bolt, B. (2013) ‘Towards a “new materialism” through the arts’ in E. Barrett, E. and B. Bolt, Carnal Knowledges: Towards a “New Materialism” through the Arts, London, I.B. Tauris. London: I.B. Tauris: 1 – 8.
Bolt, B. (2013) ‘The Athleticism of Imaging: Figuring a Materialist Performativity.’ On the Verge of   Photography; Imaging Beyond Representation, UK, BIAD: 121 – 140.
Bolt, B. (2010) ‘Unimaginable happenings: material movements in the plane of composition’ in Deleuze and Contemporary Art (eds) Stephen Zepke and Simon O’Sullivan, Edinburgh University Press: 266-285.
Bolt, B. (2007) ‘The Techno Sublime: Towards a Post Aesthetic in Sensorium: Aesthetics, Art, Life, B. Bolt, F. Coleman, G. Jones and A. Woodward, Cambridge Scholars Press.
Bolt B. (2007) ‘The Magic is in Handling’ in Barrett, E. and Bolt, B. Practice as Research: Approaches to Creative Arts Enquiry, London: I.B. Tauris: 27-34.
Bolt, B. (2005) ‘Queer Zine’ In James T. Sears (Ed.), Youth, education, and sexualities: An international encyclopedia. Westport, CT: Greenwood Publishing Group, pp. 685-688.
Bolt, B. (2004) ‘Painting is Not a Representational Practice’ in Unframed: The Practices and Politics of Women’s Painting, Ed. R. Betterton. IBTauris, London.
Bolt, B. (2000) ‘Working Hot: Materialising Practices’, in Differential Aesthetics: Art Practices and Philosophies: Towards New Feminist Understandings, Eds P. Florence and N. Foster. Ashgate Press, Aldershot: 315 – 332

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Refereed Journal Articles

Bolt, B. (2015) ‘After Motherwell, After Manet and After Goya: The performative power of imaging and the intensely present’ Text, Special Issue, Art as Parodic Practice, No 33, October 2015, http://www.textjournal.com.au/speciss/issue33/Bolt.pdf
Bolt, B. (2015 In Press) ‘Reconciliation Elegy: Invoking the Ghosts of Motherwell’s Elegies to the Spanish Republic,’ Cultural Studies Review.
Bolt, B. (2015, In Press) ‘Beneficence and contemporary art: when aesthetic judgment meets ethical judgment’ to be published in Exploring Ethics and Visual Methodologies: special issue of Visual Methodologies.
Bolt, B and Vincs, R (2015) ‘Straw Godzilla: engaging the Academy and research ethics in artistic research projects’ in ACCESS: Critical Perspectives on Communication, Cultural and Policy Studies, Educational Philosophy and Theory
Bolt, B. (2011) ‘Whose Joy: Giotto, Yves Klein and Neon Blue’ in International Journal of the Image, Vol 1. No 1: 58 – 67.
Bolt, B. and Kett G. (2010) ‘The Trouble with CARE: Creative Arts and Research Ethics’. Quality in Postgraduate Research, http://qpr.edu.au/proceedings_all.html (Bolt 90%)
Bolt, B. (2009) ‘A Performative Paradigm for the Creative Arts?’, Working Papers in Art and Design 5, http://www.herts.ac.uk/__data/assets/pdf_file/0015/12417/WPIAAD_vol5_bolt.pdf
Bolt, B. (2007) ‘Material Thinking and the Agency of Matter’ in Studies in Material Thinking http://www.materialthinking.org/, (ISSN 1177-6234)
Bolt, B. (2006) ‘Materializing pedagogies’, Working Papers in Art and Design 4, http://www.herts.ac.uk/artdes/research/papers/wpades/vol4/bbfull.html
Bolt. B. (2006) ‘A non standard deviation: handlability, praxical knowledge and practice-led research’, Speculation and Innovation, Special issue Real Time Arts http://www.speculation2005.qut.edu.au/
Bolt, B. (2006) ‘Rhythm and the performative power of the index: lessons from Kathleen Petyarre’s paintings’ in Cultural Studies Review, Vol 12, No 1: 57-64.
Bolt, B. (2004) ‘The exegesis and the shock of the new’ in Text Special Issue Website Series, Number3 April, Illuminating the Exegesis, http://www.griffith.edu.au/school/art/text/speciss/issue3/content.htm
Bolt, B. (2002) ‘The Techno-sublime.’ Refractory Electronic Journal, http://www.refractory.unimelb.edu.au/journalissues/vol1/vol1.html
Bolt, B. (2001) ‘The unremarked representationalist pre-conceptions of art education in Australia.’ Australian Art Education, Vol, 24, No 1: 18-21.
Bolt, B. (2000) ‘Working Hot: materialising practices’, in Women’s Philosophical Review, Special Issue on Aesthetics, No 25: 86-107.
Bolt, B. (2000) ‘Shedding light for the matter’ Hypatia vol.15, No 2 (Spring): 203-216.
Bolt, B. (1997) ‘Im/pulsive practices: painting and the logic of sensation’, in Social Semiotics, Vol 7, Issue 3, December 1997: 261-268.

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